About me
I’m a candid wedding photographer working to capture moments that feel as real and raw as they did when they happened.
Whether it’s a quiet glance, a hearty laugh, or a chaotic, joy-filled dance floor, I’m there to preserve it all with heart and honesty.
Couples say I go above and beyond. That I made them feel safe, hyped, and seen. That I captured their day exactly how it felt.
That’s always the goal… to give you a way to step back into the memory and take it with you as you make new chapters of your story.
When I’m not shooting weddings, I’m probably listening to or making music, chasing golden light, brewing a strong coffee, catching up on edits or trying to get back into running (next week, I swear). Photography’s always been my way of slowing time, of turning fleeting moments into something you can hold onto.
My Approach
I’m here to make the photo part feel easy. I mix relaxed direction with candid observation. You’ll get gentle prompts, movement and the freedom and space to be yourselves.
I’m low-fuss and adaptable. I’ll keep things calm when it gets hectic, and fun when it needs a lift. I’ll chat with your grandma, boss around the groomsmen, fix your veil, straighten your tie, and remind you which jacket button to do up.
I’m not just watching, I’m in it with you. I’ll be right there, reading the room, adjusting as we go, and making sure you’re comfortable, relaxed, and actually having fun.
I’ll crack jokes and hype up you and your bridal party like it’s my job (because it kinda is). Make you forget that I’m pointing one of three cameras at you at any one time. I shoot primarily on digital, but I love the chance to burn a few rolls of film when the vibe’s right. If you’re into that nostalgic, imperfectly-perfect feel… let’s make it part of your story.
Why Film?
There’s something about photos on film that hits differently: the grain, the glow, the way it feels like truth on paper.
I’ve loved shooting on film for years. There’s a patience to it, a kind of trust. You don’t get to check the back of the camera. You just have to feel the moment and know it’ll matter. It’s therapeutic for me too, it forces me to slow down, notice more and shoot with real intention.
When you add the film add-on to your wedding coverage, I scan every frame myself using a Digital camera with a vintage Nikon 55mm macro lens.
I shoot each negative over a calibrated light tray, capturing nice and high-resolution files before converting and colour correcting them by hand.
It’s not the easy way. It’s slower, fussier, and wildly more complicated than just clicking “import.” But it’s worth it. Because film doesn’t just show you what happened. It lets you feel it.
Also? Film is just cool right!? Always has been.
My Approach
I’m here to make the photo part feel easy. I mix relaxed direction with candid observation. You’ll get gentle prompts, movement and the freedom and space to be yourselves.
I’m low-fuss and adaptable. I’ll keep things calm when it gets hectic, and fun when it needs a lift. I’ll chat with your grandma, boss around the groomsmen, fix your veil, straighten your tie, and remind you which jacket button to do up.
I’m not just watching, I’m in it with you. I’ll be right there, reading the room, adjusting as we go, and making sure you’re comfortable, relaxed, and actually having fun.
I’ll crack jokes and hype up you and your bridal party like it’s my job (because it kinda is). Make you forget that I’m pointing one of three cameras at you at any one time.I shoot primarily on digital, but I love the chance to burn a few rolls of film when the vibe’s right. If you’re into that nostalgic, imperfectly-perfect feel… let’s make it part of your story.
Why Film?
There’s something about photos on film that hits differently: the grain, the glow, the way it feels like truth on paper.
I’ve loved shooting on film for years. There’s a patience to it, a kind of trust. You don’t get to check the back of the camera. You just have to feel the moment and know it’ll matter. It’s therapeutic for me too, it forces me to slow down, notice more and shoot with real intention.
When you add the film add-on to your wedding coverage, I scan every frame myself using a Digital camera with a vintage Nikon 55mm macro lens.
I shoot each negative over a calibrated light tray, capturing nice and high-resolution files before converting and colour correcting them by hand.
It’s not the easy way. It’s slower, fussier, and wildly more complicated than just clicking “import.” But it’s worth it. Because film doesn’t just show you what happened. It lets you feel it.
Also? Film is just cool right!? Always has been.
